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This Christmas, Django is off the chain

Stills from the Django Unchained:

Critic's response:

Quentin Tarantino has drowned in the blood of the slave system. What do you think he will do, going to the good old times of the American South Scarlett O'Hara and "Uncle Tom's Cabin"? In fact, the main Hollywood fighter for justice, not overshadowed by the ethics and morals, shooting a western. Anyone who is familiar with early Tarantino as well as of the master's spaghetti westerns of Sergio Corbucci, one name in the title Django tape understands - Quentin Dorval. The director has never hidden addiction to bloody cowboy retrotreshu, and in his first movie "Reservoir Dogs" lovingly quoted episode of eating an ear of archetypal korbuchchieva "Django". And finally, from small signs of attention moved to large-scale homage, looks like a grand game that started Malchish-bad guy with unlimited possibilities and direct access to ammunition. Defend the rights of Jews and blondes, Tarantino naturally switched to blacks. Included with the release of the epic black slave entered education aggressive self-esteem, learning fast shooting and amputation of morals that, as you might guess, to the detriment of the white planters. However, no matter how good Jamie Foxx in the role of the Dark Knight with slave branded on the cheek, and traces of the whip across his back, the protagonist this time not the avenger and his mentor and inspiration with exquisite Austrian accent and killer charm, peculiar only to a very bad uncle. The really bad, however, Christoph Waltz was the last time you caught Jews in "Inglourious Basterds." Now, as a harmless bounty hunter ubivtsa only bad guys, he can love, even the most moral nature. Unless, of course, do not be afraid of hairstyles in the style of the Yeti. Less fortunate all Leonardo DiCaprio, who - in a scenario tearing scoring game slightly crazed villain - nevertheless failed to surpass demonschinku Walz. With the Aryans in this plan is generally difficult to compete. By the way, the Aryans. Despite the endless array of emotional moments and episodes on the verge of a masterpiece in "Django liberation" has two finds a million dollars each, a number of outstanding points. First, of course, the eternal song of Luis Bakalov by Monty Roberts from the original "Django". And the second - an unprecedented example of Tarantino's tolerance, cynicism or whatever it is called: the history of black slaves fleeing the clutches of exploiters oppressing his wife, plain text likened German epic about Siegfried and Brünnhilde ... In general, when the man tired of making movies, it is imperative to take a resolution of the Israeli-Palestinian conflict.